Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Jusepe de Ribera 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
34266		Allegory of History	mk91 Oil on canvas 113x81
51137		An Old Money-Lender	1638 Oil on canvas, 76 x 62 cm
32908		Apollo and Marsyas	mk84 1637.Brussels canvas 202x255cm
51273		Apollo and Marsyas	1637 Oil on canvas, 182 x 232 cm
51128		Apollo Flaying Marsyas	1637 Oil on canvas, 202 x 255 cm
33627		Archimedes	mk86 1630 Oil on canvas 125x81cm Madrid,Museo del Prado
21617		Archimedes (mk08)	1630 Oil on canvas 125x81cm Madrid,Museo del Pardo
95709		Bende Magdalena Magdalena penitente	oil on canvas Dimensions 97 x 66 cm (38.2 x 26 in) cyf
40467		Boy with a Club foot	mk156 1642 Oil on canvas 164x94cm
29170		Christ in the Crown of Thorns	mk65 Oil on canvas 22 1/2x18"
51129		clubfooted boy	1642 Oil on canvas, 164 x 92 cm
32910		Dream of Facob	mk84 1639 Madrid,Prado,canvas 179x233cm
64718		hans atelje.	sankt bartolomeus. 1644. olja pa duk se
88675		Hieronymus	1629(1629) Medium Oil on canvas Dimensions 125 x 100 cm cyf
51131		Jacob Receives Isaac-s Blessing	1637 Oil on canvas, 129 x 289 cm
43102		Jacob with the Flock of Laban	mk170 circa 1638 Oil on canvas 132x118cm
77442		Jakobs Traum	Date 1639 Medium Oil on canvas Dimensions ?? cyf
32909		Ladnscape with Shepherds	mk84 1639 Salamanca,Dukes of Alba canvas 128x269cm
67385		magdalena ventura	se
52603		Magdalena Ventura with Her Husband and Son	1631 Oil on canvas, 196 x 127 cm
33628		Marryrdom of St Bartholomew	mk86 1630 Oil on canvas 234x234cm Madrid,Museo del Prado
53801		Marsyas flas	mk234 183x234cm
21618		Martyrdom of St Bartholomew (mk08)	1630 Oil on canvas 234x234cm Madrid,Museo del Prado
51136		Mary Magdalene in the Desert	1640-41 Oil on canvas, 226 x 181 cm
32535		Recreation by our Gallery	mk79 1640-1647
32539		Recreation by our Gallery	mk79 1636
69455		Saint Matthew	oil on canvas painting by Jusepe de Ribera
29223		Saint Onuphrius	mk65 Oil on canvas 1637 51x41"
3560		Saint Paul the Hermit	1640 Museo del Prado, Madrid
87967		San Jeronimo	1644(1644) Medium Oil on canvas Dimensions Deutsch: 109 x 90 cm cyf
32906		Sense of Taste	mk84 ca.1613-16 Hartford,Wadsworth Atheneum. canvas 117x88cm
62305		St Albert	230 x 170 mm British Museum, London Throughout his career, Ribera was an avid draftsman in pen and ink and in red chalk, and the chalk drawings in particular evince the approach of an artist trained in an Italian workshop. In this study of St Albert Ribera solves a problem of figure drawing with an ease that is rarely matched by Spanish painters of the period. The technique is Italianate as well: thin, closely spaced lines and soft shadows are used to delineate the body and musculature
33629		St Christopher	mk86 1637 Oil on canvas 127x100cm Madrid,Museo del Prado
21620		St Christopher (mk08)	1637 Oil on canvas, 127x100cm Madrid,Museo del Prado
20572		St Paul the Hermit (mk05)	Canvas 77 1/2 x 60 1/4''(197 x 153 cm)Acquired in 1875
41008		St Sebastian and St Irene	mk159 1628 Oil on canvas 156x188cm
52678		St Sebastian Tended by the Holy Women	1621 Oil on canvas, 180,3 x 231,6 cm
32907		St.Ferome and the Angel	mk84 1626 Naples canvas262x164cm
30035		St.Francis	mk67 Oil n canvas 40 9/16x30 5/16in Pitti.
29215		St.Jerome Hears the Trumpet	mk65 Oil on canvas 73x52"
3559		St.Onufri	1637 The Hermitage, St.Petersburg
29232		St.Sebastian.St.Irene,and St.Lucila	mk65 Oil on canvas 61 1/2x74"
20576		The Adoration of the Shepherds (mk05)	1650 Canvas,94 x 71 1/4''(239 x 181 cm)Given by the king of Naples,Ferdinand IV,to the French government in compensation for the Pictures removed from the Church of San Luigi in Rome by the Neapolitan troops,1802.Musee Napoleon INV
20578		The Beggar Known as the Club-foot (mk05)	1642 Canvas,64 1/2 x 37''(164 x 94 cm)The Paper that the child holds solicits alms Bequest of Dr Louis La Caze 1869
33626		The Boy with the Clbfoot	mk86 1642 Oil on canvas 164x92cm Paris,Musee National du Louvre
21615		The Boy with the Clubfoot (mk08)	1642 Oil on canvas 164x92cm Paris,Musee National du Louvre
20573		The Deposition (mk05)	Canvas,50 x 71 1/2''(127 x 182 cm)Given to the Louvre by Napoleon II in 1868
51132		The Duel of Isabella de Carazzi and Diambra de Pottinella	1636 Oil on canvas, 235 x 212 cm
3561		The Flaying of Marsyas	Musee Royaux des Beaux Arts du Belgique, Brussels
55733		The Holy family	mk244 253x196cm 1639 Oil on canvas
3562		The Holy Family with Saints Anne Catherine of Alexandria	Metropolitan Museum of Art, New York
51135		The Holy Family with St Catherine	1648 Oil on canvas
30036		The Martydom of St.Bartholomew	mk67 Oil on canvas 57 1/16x85in
51138		The Martyrdom of St Andrew	1628 Oil on canvas, 209 x 183 cm
32915		Vision fo St.Bruno	mk84 1643 Naples 38x27cm
43698		Vision of St Bruno	1643 Oil on copper, 38 x 27 cm

Jusepe de Ribera

1591-1652 Spanish Jusepe de Ribera Galleries Jusepe de Ribera (January 12, 1591 - 1652) was a Spanish Tenebrist painter and printmaker, also known as Jos?? de Ribera in Spanish and as Giuseppe Ribera in Italian. He was also called by his contemporaries and early writers Lo Spagnoletto, or "the Little Spaniard". Ribera was a leading painter of the Spanish school, although his mature work was all done in Italy. In his earlier style, founded sometimes on Caravaggio and sometimes on the wholly diverse method of Correggio, the study of Spanish and Venetian masters can be traced. Along with his massive and predominating shadows, he retained from first to last a great strength in local coloring. His forms, though ordinary and sometimes coarse, are correct; the impression of his works gloomy and startling. He delighted in subjects of horror. In the early 1630s his style changed away from strong contrasts of dark and light to a more diffused and golden lighting. Salvator Rosa and Luca Giordano were his most distinguished followers, who may have been his pupils; others were also Giovanni Do, Enrico Fiammingo, Michelangelo Fracanzani, and Aniello Falcone, who was the first considerable painter of battle-pieces. Among Ribera's principal works could be named "St Januarius Emerging from the Furnace" in the cathedral of Naples; the "Descent from the Cross" in the Certosa, Naples, the "Adoration of the Shepherds" (a late work, 1650), now in the Louvre; the "Martyrdom of St Bartholomew" in the Prado; and the "Pieta" in the sacristy of San Martino, Naples. His mythologic subjects are often as violent as his martyrdoms: for example, "Apollo and Marsyas", with versions in Brussels and Naples, or the "Tityus" in the Prado . The Prado and Louvre contain numbers of his paintings; the National Gallery, London, three. He executed several fine male portraits and a self-portrait. He was an important etcher, the most significant Spanish printmaker before Goya, producing about forty prints, nearly all in the 1620s.

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